Contrary to popular
beliefs that the mid-twentieth century gay liberation movements were working
against entrenched anti-gay laws and mores.
In contrast, Chauncey shows that from the turn of the century until
after Prohibition, there was actually an active gay community in New York
City. Chauncey looks particularly at
working class culture in New York, where performances of gender “inversion”
was, to a certain extent and in certain locations, an accepted gender
identity. In part, this is because “homosexual
identity” was not understood as it was in the more closely pre-Stonewall (and
certainly post-Stonewall) era: “One reason many men at this time found it
easier to ‘pass’ in the straight world than their post-Stonewall successors
would was that they found it easier to manage multiple identities, to be ‘gay’
in certain social milieus and not others” (274). He discusses how, rather having a sexual
identity based on sexual acts performed, such identity was instead based on
inverted gender performance, where men identified as “fairies” and expressed
this gender identity through traditionally feminine behavior, and were expected
to take the bottom role in same-sex encounters.
At this time, men could engage in sexual behavior with other men and not
necessarily identify as less masculine, as long as they maintained
traditionally masculine behavior and took an insertive role in sexual acts.
Chauncey follows gay
life in New York through Prohibition, which ironically allowed for more overtly
homosexual behavior from these working class enclaves into more middle class
enclaves, as the acceptance of other kinds of deviant behavior during
Prohibition allowed for acceptance of gender deviance as well. Bohemian enclaves such as Greenwich Village
and Harlem also allowed for acceptance of more varieties of gender behavior, as
such deviance in gender performance could be considered under the rubric of
artistic behavior rather than sexual deviance.
Ironically, the repeal of Prohibition in 1933 led to both harsher
regulation of public acknowledgement of homosexuality (as the serving of “known
homosexuals” became a form of disorderly conduct) as well as more exclusively
gay areas. By the 1950s, such safe
places were very much underground and known through codes. However, Chauncey does a thorough job of
showing how, during the time period he investigates, gay life in New York
enjoyed a certain amount of publicness.
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